SUNDANCE 2019: MEMORY: ORIGINS OF ALIEN

Just in time for the 40th anniversary of a 70’s sci-fi/horror classic, the new documentary MEMORY: ORIGINS OF ALIEN sets out to delve into the history of Ridley Scott‘s much beloved 1979 film by exploring the many directions it took on to make it to the big screen. The title MEMORY takes its name from the original working title of the Dan O’Bannon screenplay that would eventually go on to become ALIEN.

Truth be told, this is primarily a documentary for hardcore fans only. But then, I count myself as a pretty big fan and while there was plenty of insight that I greatly enjoyed here, there were times throughout this picture where the theory-heavy dissection of ALIEN sort of slow it down.

Alexandre O. Philippe, who made THE PEOPLE VS. GEORGE LUCAS and the Alfred Hitchcock love letter, 78/52 is more interested in taking an artsy approach as opposed to going all fanboy. With the theories behind ALIEN and the overall dissection of the film–most of these theories shared by film scholars and intellectuals–MEMORY sometimes plays a little more like THE SHINING-inspired doc, ROOM 237, albeit, it never goes to that film’s extremes.

There are interesting aspects to some of this stuff–MEMORY spends quite a bit of time exploring the sexual subtext at the heart of ALIEN which is fairly clear by way of H.R. Giger‘s gorgeous designs–but then there are other moments in the film that overreach a tad.

Maybe it’s because I’m a boring fanboy, but the more interesting aspects of this picture are an extended exploration into the construction of ALIEN’s most iconic sequence and when Philippe simply allows actors from the Scott’s film (including Tom Skerritt and Veronica Cartwright) to share behind-the-scenes stories. Cooler still, the first 25 minutes or so of MEMORY is dedicated to the life of screenwriter Dan O’Bannon. Included; His many influences, his DARK STAR-era friction with the great John Carpenter, and his unwavering bond with Giger whose gothic, heavily Lovecraftian-influenced artwork would go a long way to shape the overall look of what would eventually become one of Scott’s most beloved films.

MEMORY: ORIGINS OF ALIEN does offer a few stock interviews with the legendary Ridley Scott, but again, this doc tends to be a little more interested in theory, hence the subtitle, ORIGINS OF ALIEN. It’s also a little all over the place and doesn’t always feel entirely focused. MEMORY opens with a frightening, nightmarish sequence that I can only assume was inspired by a vivid O’Bannon or Giger nightmare, and truth be told, in terms of sheer visual style, it’s creepier and more unsettling than anything in ALIEN: COVENANT but I’m not entirely certain it fits in this documentary.

Again, if you’re a fan of 1979’s ALIEN, MEMORY: ORIGINS OF ALIEN is worth a watch. I’d be lying, though, if I said this particular fan wasn’t hoping for a little bit more. Honestly, a doc solely focusing on the relationship between O’Bannon and Giger would have been a more interesting approach.

About Author

Adam Mast

Adam Mast has been a lifelong film enthusiast dating back to age 6 when his parents took him to see a little movie called JAWS at a drive-in theater in Northern California. This would lead him to several writing stints for various publications and outlets. Mast would also have a hand in several film projects of various shapes and sizes. In 2014, Mast would join forces with colleague John Pugh to create Cinemast.net as a means discuss film from a fan and analytical perspective. Together, Mast and Pugh would also create the 501 (C)(3) nonprofit, Film and Media Alliance of Southern Utah (FMASU) in 2017. FMASU’s mission is to encourage, inspire and educate filmmaking talent and to preserve film history. Adam currently resides in southern Utah with his amazing wife, Tonja, and their four wonderful children.

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